I’m thrilled to share that Uncanny Magazine is a finalist for the 2019 Best Semiprozine Hugo Award! This is our fourth time being a finalist at the Hugo Awards, and I’m so proud of the work Uncanny did in 2018, and my contribution as the magazine’s managing editor. And I am so happy to share this honor with our editorial staff: Co-Publishers/Co-Editors-in-Chief Lynne M. Thomas & Michael Damian Thomas; Podcast Producers Erika Ensign & Steven Schapansky; and Disabled People Destroy Science Fiction Special Issue Editors-in-Chief Dominik Parisien and Elsa Sjunneson-Henry. This would not have been possible without the hard work and passion of the rest of the Uncanny staff as well: Assistant Editor Chimedum Ohaegbu, Interviewer Caroline M. Yoachim, Podcast Reader Stephanie Malia Morris, and our wonderful Space Unicorn crew of submissions readers.
(Special shout out to my partner & husband, Jesse Lex, for making sure I’m well-supplied with tea during every production cycle, helped me proof each issue, and who was also a submissions reader for Uncanny in 2018.)
Additionally three Uncanny Magazine stories are finalists for Hugo Awards as well! “The Thing About Ghost Stories“by Naomi Kritzer is a finalist for Best Novelette, “The Rose MacGregor Drinking and Admiration Society” by T. Kingfisher is a finalist for Best Short Story, and “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat” by Brooke Bolander is a finalist for Best Short Story!
And Uncanny Publishers/Co-Editors-in-Chief Lynne M. Thomas and Michael Damian Thomas are finalists for the Best Editor- Short Form Hugo Award!
Further, many current staff and former staff are finalists for different Hugo Awards! Former Poetry and Reprint Editor Julia Rios and Disabled People Destroy Science Fiction Co-Editor-in-Chief Elsa Sjunneson-Henry’s Fireside Magazine is a finalist for Best Semiprozine (on a personal note I am THRILLED to see my friend and Uncanny essayist Tanya DePass listed as Special Features Editor for Fireside as well)! Julia Rios is also a finalist for Best Editor- Short Form, and Elsa Sjunneson-Henry is a finalist for Best Fan Writer!
I’m grateful beyond measure to everyone who has supported the magazine and felt strongly enough about our work to nominated us for the award. I’m especially thankful to the many, many creators who’ve trusted us with their work, and given us the privilege of publishing them. Uncanny wouldn’t exist without your passion and creativity.
A warm and resounding congratulations to the other finalists in the Best Semiprozine category! The Semiprozine category is filled with so much awesome and I am so pleased to see Uncanny listed among the other finalists! All of them do spectacular work that continually inspires me to keep pushing Uncanny forward to do our best.
And CONGRATULATIONS TO EVERYONE ON THE BALLOT! Holy motherforking shirtballs, this list is ridiculously amazing. Strong entries in every category! I’m so beyond happy to see many friends and colleagues recognized as finalists this year, and excited to read the work of finalists that I’m unfamiliar with.
And THANK YOU to everyone who participated in the nominations process! The Hugo Awards are infinitely better thanks to community involvement and participation. The nominations process is just as important as voting for the final ballot, and I hope we continue encouraging each other to take part in this part of the Hugo Awards.
Remember, if you weren’t able to participate in the nominating process but want to participate in voting for the 2019 Hugo Award finalists, you can still do so, whether you are able to attend Worldcon and the Awards or not!
- You can sign up for a Supporting Membership to the 2019 Worldcon (40£ | $52.47US) , which will give you access to the Hugo Voting Packet with provided samples of finalists’ work, allow you to vote for the finalists, and nominate works/creators for the 2020 Hugo Awards.
- Or you can sign up for Attending Adult Membership (235£ | $308.40US) for adults 26+ years old, which will allow you access to the Hugo Voting Packet, allow you to vote for the finalists, attendance to Worldcon Dublin August 15-19, 2019, including the awards ceremony, and allow you to nominate works/creators for the 2020 Hugo Awards.
- There is also an Attending Young Adult Membership (150£ | $186.95US) for people 13-25 years old, with the same rights as the Attending Adult Membership. Learn more about Worldcon Dublin memberships here. (Please note the $US amounts reflect the exchange rate as of 4/2/19 and may be subject to change.)
I plan to attend Worldcon in Dublin this August (finances willing) and look forward to seeing everyone there!
What follows is the complete list of finalists for the 2019 Hugo Awards:
Best Novel
The Calculating Stars, by Mary Robinette Kowal (Tor)
Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Revenant Gun, by Yoon Ha Lee (Solaris)
Space Opera, by Catherynne M. Valente (Saga)
Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
Trail of Lightning, by Rebecca Roanhorse (Saga)
Best Novella
Artificial Condition, by Martha Wells (Tor.com publishing)
Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)
Best Novelette
“If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
“The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
“Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
“When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)
Best Short Story
“The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
“The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
“The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
“STET,” by Sarah Gailey (Fireside Magazine, October 2018)
“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)
Best Series
The Centenal Cycle, by Malka Older (Tor)
The Laundry Files, by Charles Stross (most recently Tor/Orbit)
Machineries of Empire, by Yoon Ha Lee (Solaris)
The October Daye Series, by Seanan McGuire (most recently DAW)
The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Best Related Work
Archive of Our Own, a project of the Organization for Transformative Works
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)
Best Graphic Story
Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
On a Sunbeam, by Tillie Walden (First Second)
Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
Best Dramatic Presentation, Long Form
Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)
Best Dramatic Presentation, Short Form
The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)
Best Professional Editor, Short Form
Neil Clarke
Gardner Dozois
Lee Harris
Julia Rios
Lynne M. Thomas and Michael Damian Thomas
E. Catherine Tobler
Best Professional Editor, Long Form
Sheila E. Gilbert
Anne Lesley Groell
Beth Meacham
Diana Pho
Gillian Redfearn
Navah Wolfe
Best Professional Artist
Galen Dara
Jaime Jones
Victo Ngai
John Picacio
Yuko Shimizu
Charles Vess
Best Semiprozine
Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien
Best Fanzine
Galactic Journey, founder Gideon Marcus, editor Janice Marcus Journey Planet, edited by Team Journey Planet
Lady Business, editors Ira, Jodie, KJ, Renay & Susan
nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G Quick Sip Reviews, editor Charles Payseur
Rocket Stack Rank, editors Greg Hullender and Eric Wong
Best Fancast
Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew
Best Fan Writer
Foz Meadows
James Davis Nicoll
Charles Payseur
Elsa Sjunneson-Henry
Alasdair Stuart
Bogi Takács
Best Fan Artist
Sara Felix
Grace P. Fong
Meg Frank
Ariela Housman
Likhain (Mia Sereno)
Spring Schoenhuth
Best Art Book
The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz) Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published) Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)
John W. Campbell Award for Best New Writer
Katherine Arden (2nd year of eligibility)
S.A. Chakraborty (2nd year of eligibility)
R.F. Kuang (1st year of eligibility)
Jeannette Ng (2nd year of eligibility)
Vina Jie-Min Prasad (2nd year of eligibility)
Rivers Solomon (2nd year of eligibility)
Lodestar Award for Best Young Adult Book
The Belles, by Dhonielle Clayton (Freeform / Gollancz)
Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
Dread Nation, by Justina Ireland (Balzer + Bray)
The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)
1944 Retrospective Hugo Awards Finalists:
Best Novel
Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
Earth’s Last Citadel, by C.L. Moore and Henry Kuttner (Argosy, April 1943)
Gather, Darkness! by Fritz Leiber, Jr. (Astounding Science-Fiction, May-July 1943)
Das Glasperlenspiel [The Glass Bead Game], by Hermann Hesse (Fretz & Wasmuth)
Perelandra, by C.S. Lewis (John Lane, The Bodley Head)
The Weapon Makers, by A.E. van Vogt (Astounding Science-Fiction, February-Apri 1943)
Best Novella
“Attitude,” by Hal Clement (Astounding Science-Fiction, September 1943)
“Clash by Night,” by Lawrence O’Donnell (Henry Kuttner & C.L. Moore) (Astounding Science-Fiction, March 1943)
“The Dream-Quest of Unknown Kadath,” by H.P. Lovecraft, (Beyond the Wall of Sleep, Arkham House)
The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)
The Magic Bed-Knob; or, How to Become a Witch in Ten Easy Lessons, by Mary Norton (Hyperion Press)
“We Print the Truth,” by Anthony Boucher (Astounding Science-Fiction, December 1943)
Best Novelette
“Citadel of Lost Ships,” by Leigh Brackett (Planet Stories, March 1943)
“The Halfling,” by Leigh Brackett (Astonishing Stories, February 1943)
“Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)
“The Proud Robot,” by Lewis Padgett (Henry Kuttner) (Astounding Science-Fiction, February 1943)
“Symbiotica,” by Eric Frank Russell (Astounding Science-Fiction, October 1943)
“Thieves’ House,” by Fritz Leiber, Jr (Unknown Worlds, February 1943)
Best Short Story
“Death Sentence,” by Isaac Asimov (Astounding Science Fiction, November 1943)
“Doorway into Time,” by C.L. Moore (Famous Fantastic Mysteries, September 1943)
“Exile,” by Edmond Hamilton (Super Science Stories, May 1943)
“King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
“Q.U.R.,” by H.H. Holmes (Anthony Boucher) (Astounding Science-Fiction, March 1943)
“Yours Truly – Jack the Ripper,” by Robert Bloch (Weird Tales, July 1943)
Best Graphic Story
Buck Rogers: Martians Invade Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
Flash Gordon: Fiery Desert of Mongo, by Alex Raymond (King Features Syndicate)
Garth, by Steve Dowling (Daily Mirror)
Plastic Man #1: The Game of Death, by Jack Cole (Vital Publications)
Le Secret de la Licorne [The Secret of the Unicorn], by Hergé (Le Soir)
Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)
Best Dramatic Presentation, Short Form
The Ape Man, written by Barney A. Sarecky, directed by William Beaudine (Banner Productions)
Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
Der Fuehrer’s Face, story by Joe Grant and Dick Huemer, directed by Jack Kinney (Disney)
I Walked With a Zombie, written by Curt Siodmak and Ardel Wray, directed by Jacques Tourneur (RKO Radio Pictures)
The Seventh Victim, written by Charles O’Neal and DeWitt Bodeen, directed by Mark Robson (RKO Radio Pictures)
Super-Rabbit, written by Tedd Pierce, directed by Charles M. Jones (Warner Bros)
Best Professional Editor, Short Form
John W. Campbell
Oscar J. Friend
Mary Gnaedinger
Dorothy McIlwraith
Raymond A. Palmer
Donald A. Wollheim
Best Professional Artist
Hannes Bok
Margaret Brundage
Virgil Finlay
Antoine de Saint-Exupéry
J. Allen St. John
William Timmins
Best Fanzine
Fantasy News, editor William S. Sykora
Futurian War Digest, editor J. Michael Rosenblum
The Phantagraph, editor Donald A. Wollheim
Voice of the Imagi-Nation, editors Jack Erman (Forrest J Ackerman) & Morojo (Myrtle Douglas)
YHOS, editor Art Widner
Le Zombie, editor Wilson “Bob” Tucker
Best Fan Writer
Forrest J. Ackerman
Morojo (Myrtle Douglas)
Jack Speer
Wilson “Bob” Tucker
Art Widner
Donald A. Wollheim
From the Hugo Award Press Releases from Dublin 2019:
Dublin 2019 – An Irish Worldcon
Dublin, Ireland
August 15-19, 2019
Hugo and Retro Hugo Finalists Announced
The finalists for the 2019 Hugo Awards, John W. Campbell Award for Best New Writer, the World Science Fiction Society (WSFS) Award for Best Young Adult Book, and the 1944 Retrospective Hugo Awards were announced 2 April in a live webcast.
There were 1800 valid nominating ballots (1797 electronic and 3 paper) received and counted from the members of the 2018 and 2019 World Science Fiction Conventions for the 2019 Hugo Awards. For the 1944 Retro Hugo Awards, 217 valid nominating ballots (214 electronic and 3 paper) were received. Voting on the final ballot will open later in April.
The Hugo Awards are the premier award in the science fiction genre, honouring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honour science fiction and fantasy notables for more than 60 years.
The webcast announcing the finalists is available for viewing on the Dublin 2019 YouTube channel.
Dublin 2019 – An Irish Worldcon will take place in and around the Convention Centre Dublin from 15 to 19 August. More than 5600 people have already signed up as members, including more than 4580 attending members.
Only Dublin 2019 members will be able to vote on the final ballot and choose the winners. The 1944 Retro Hugo Awards will be presented on Thursday, 15 August, the opening night of Dublin 2019, and the 2019 Hugo Awards, and the Lodestar and Campbell Awards, will be presented on Sunday, 18 August as part of the main Hugo Awards ceremony.
The 2019 Hugo base will be designed by Dublin artist Jim Fitzpatrick. The 1944 Retro Hugo base will be designed by Eleanor Wheeler, a ceramicist in County Down. The 2019 Lodestar Award will be designed by Sara Felix, the Austin, Texas-based president of the Association of Science Fiction and Fantasy Artists.
More information about the Hugo Awards, including details about how to submit a nominating ballot: https://dublin2019.com/hugo-awards-wsfs/the-hugo-awards/ . Any questions about the Hugo Awards process should be directed to hugohelp@dublin2019.com.
More information and membership registration for Dublin 2019 are available at https://dublin2019.com. Follow us on Twitter at @dublin2019.
To subscribe or unsubscribe to media releases, complete the form at https://dublin2019.com/press or write to press@dublin2019.com.